horror memories
From
George Pope@1:153/757 to
All on Thu Feb 10 12:57:02 2022
Books, magazines, movies, what are your best & worsdt memoriers relating to horror?
I'll seed this by listing some women in horror:
Ellen Datlow (Editor), Jamie Lee Curtis, Sarah Pinborough, Susie Moloney, Elizabeth Massie, Tananarive Due, Mira Grant (aka Seanan McGuire), Anne Rice, Shirley Jackson, Dee Wallace (The Howling and Cujo), Lisa Morton, Susan Hill, Neve Campbell (Scream), Gemma Files, Nancy Kilpatrick, Sephera Giron, Adrienne Barbeau (The Fog), Tamara Thorne, Chantal Noordeloos, Jennifer Kent (Director of The Babadook), Elizabeth Hand, Lucy Taylor, Fay Wray (the original King Kong film), Gabrielle Faust, Julie Ann Dawson, Lisa Mannetti, Max Da Silva Willis (Artist), Kathe Koja, Yvonne Navarro, Reyna Gillette Young (Last Doorway Productions), Cherie Priest, Emily Perkins and Katharine Isabelle (Ginger Snaps), Mary Shelley, Priya Sharma, Lori Michelle, Kathy Ptacek, Alison Littlewood, Dawn G. Harris, Lupita Nyong'o (Jordan PeeleÆs Us), Michelle Garza, Deborah LeBlanc, Thana Niveau, Marie OÆRegan, Kitty Kane, Linda Blair, Lisa Tuttle, Linda D. Addison, Tanith Lee, Karen Black (Trilogy of Terror), Ashley Davis, Stephanie M. Wytovich, Nancy Holder, Bari Wood, Elvira (Cassandra Peterson), Kaaron Warren, Tippi Hedren (The Birds), Abigail Larson (Artist), Lauren Beukes, Fran Rubel Kuzui, Naomi Watts (The Ring), Rena Mason, E.A. Black (Trish Wilson), Sarah Langan, Heather OÆRourke (Poltergeist), Melanie Tem, Candace Hilligoss (Carnival of Souls), P.D. Cacek, Ingrid Pitt, Paula Guran, Catt Dahman, Sigourney Weaver, Sarah Michelle Gellar (Buffy and The Grudge), Lynne Hansen (Artist), Alma Katsu, Nancy A. Collins, S.P. Miskowski, Darcy Coates, Anne Rivers Siddons, and so many more.
(List is from thehorrorzine.com for Women In Horror Month)
My earliesrt introductino to horror was a scifi story in a scifi anthnology of short stories I rea when I was 8 -- it was, essentially, the seed for "Invasion of the Body Snatchers" -- I wasn't affected by it -- was an interesting read & I think a real ironic ending that I was especially impressed by (not enough to remember with detail 47 years later, though)
Fastr forward to age 11 or 12, & I had a little portabloe 12" black & white TV.
One night, whebn my dad was overnight shift at work, I had it under my covers, watching late (past 1 or 2), with the brightness dimmed & the volume low enough I had to be nearly nose to screen to hear the dialogue. The late night movie I was watching was "Carrie" (Stephen King's first movie)
Nothing remarkable throughout -- the prom scene -- got that, as I was a victim of bullying, too. Yeah, it was horrid, but when her powers kicked up into overdrive -- whee-whoooo! interesting. . .
I was blithely watyching/listening until tyhe very end [spoiler alert]
when the camera slowly, ever so s l o w l y moves in on the gravestone, to show sdue was dead & buried, & then BOOM! (jump scare), her obviously dead arm shot up from the grave right into my face (thank goodness it wasn't 3D else I'd've likely had some bed linens to change before sleeping!)
On t hat -- I think it sucks that there's no true horror in movies any more -- they substitute gore & jump-scares for actual suspense & eerieness.
I happily got into Stephen King's novels as a teen -- his stuff was all psychological, with enough "this might actually happen here one day" to bump the heart rate up a bit)
I later moved on to Dean Koontz, whom I refer to as "Stephen King for adultsd" as I found King getting lazy & going with graphically gratuitous gore in his later novels & a clear misogynistic tone, IMO.
Try Koontz' "Frankenstein" trilogy -- it centres on Dr. Frankenstein's original monster, who still lives, & has, with the doctor,. been experimenting in creating super humans, of which he was the first (2 hearts, regeneration, perfect knowledge & recall, & more)
His job was to grow h.sapiens II in tanks, giving inn vitro education to them, & to seed the population of their ground zero, with dopplegangers who were of the new species & taking over, first by killing the person in charge they replaced, then by eventually leading the citzens to be harvested & replaced/discarded.
Not so much old school horror -- more new style (descriptive rather than emotive), but a fun read. . .
I'm more into scifi & mystery these days, but not averse to a good horror novel or anthology when I come across them. . .
--- BBBS/Li6 v4.10 Toy-5
* Origin: The Rusty MailBox - Penticton, BC Canada (1:153/757)
From
George Pope@1:153/757 to
Joe Mackey on Sun Feb 13 13:17:38 2022
Not my style -- they focus more on the abuse & denuding of teen girls than on
trying to scare me. . .
Agreed.
A film with implied sex or violence is far better than the in-your-face
films today.
When you have a couple in an embrace, or someone with with a big knife
up to no good and a fade out is far better than the other way.
& your descrtiption was Hollywood for many years, with many 3 or jhigher stasr films coming out, & most were relevan to the viewers' real life contexts, including sex, passion, viulence, etc. but it was all subtle & off-screen -- making it far more effective in the imagery it was trying to evoke in the viewrers, as we'd know what's what & just follow our own ideas of it for thwe mental imagery.
If you don't get it, you've put yourself out of the appropriate age range to watch it.
Most reso9nsible adults (parents, bug brothers, etc) would reply to "What happened there? Why the fireworks?" with "You'll understand when you're older."
& full stop right there.
My folks replied thusly on movie parts they forgot might not be suitable for myu age (yoiu didn't think of the movie as "smutty" just for a simple love/passion conection somewhere in it, in context to the scene/characters/plot.
& reviewerrs would shy away from mentioning such in their newspaper columns, as they'd be looked down upon for even implying what was already inherent.
Self censorship was a wonderful thing, back when most people lived by basic common moral codes.
I love the old Merrie Melodies & the other sets of mini cartoons -- they were used to support these values, not pick away at them.
One of my fave memories of such is Bugs Bunny being hornswaggled into taking a baby penguin home to Antarctica.
He promised(n.b.) to get the baby home safely, & omn the way he discovered how far away Antarctica was & began getting serously hungry, to where he was halllucinating the roasted penguin on a bed of potatoes, & he drools out, "Pen- gu-ijns are just like chickens."
He jhas a moment where he tried to attack the pengi8n, to eat him, but his promise prevailed & he overcam,e this momenmtsry lapse to once again focusd on the mission he hasd undertaken.
Moral value: Let your word be your bond, even should it get more difficult than you expected to keep it.
So importabnt to have again todaym ut today's media for kids is much the oposite; iu watched as my young son watched PBS etc & I saw how even the beloved book/etc characters of my own childhood were now emblems of rebelling against parental authority & focusing more on instant self gratification rather than the interests of others. *sniff*
*sigh* Memories of a far better time, before corporations took over everything & started working on social editing to get us to be more profitable to them.
--- BBBS/Li6 v4.10 Toy-5
* Origin: The Rusty MailBox - Penticton, BC Canada (1:153/757)